<HTML><BODY style="word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-line-break: after-white-space; "><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Dear colleagues,</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">The Waterloo Early Modern Studies Group and the Department of English Language and Literature are pleased to present a talk by Paul Stevens and a master-class in discourse-analysis with Lynne Magnusson.</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Paul Stevens</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">"Milton, Geoffrey of Monmouth, and the Temptations of Archipelagic Criticism."</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Tues, Oct 13th</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">4pm </DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">HH 232</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">and </DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Lynne Magnusson</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">"What to do with Discourse Analysis in Early Modern Studies."</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Weds, Oct 14th</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">10am</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><B>PAS 2084</B> *please note room change!</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Paul Stevens is a professor of English and Canada Research Chair at the University of Toronto. He has published widely on Renaissance literature, Milton, and English nationalism. His work includes a monograph, <I>Imagination and the Presence of Shakespeare in ‘Paradise Lost,' </I>and two coedited books, <I>Early Modern Nationalism and Milton’s England</I>, and <I>Discontinuities: New Essays on Renaissance Literature and Criticism</I>. He has also coedited special issues of<I> Criticism</I> and <I>The University of Toronto Quarterly</I>. He is currently working on a book called <I>Milton and the English Nation</I>.</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Lynne Magnusson is a professor of English at the University of Toronto. She has published widely on language and discourse in Shakespeare and the Renaissance, and is the author of a monograph called <I>Shakespeare and Social Dialogue: Dramatic Language and Elizabethan Letters</I>. She has also coedited a series on Elizabethan theatre and a guide to Shakespeare’s language. She recently held a Killam research fellowship and is currently at work on a book provisionally entitled <I>Corresponding Arts: Early Modern Letter Writing</I> and a collection of essays on Shakespeare’s language.</DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">For more information, please contact Ken Graham at <A href="mailto:k2graham@uwaterloo.ca"><FONT class="Apple-style-span" color="#0011F2">k2graham@uwaterloo.ca</FONT></A> or Rebecca Tierney-Hynes at <A href="mailto:rtierney@uwaterloo.ca"><FONT class="Apple-style-span" color="#0011F2">rtierney@uwaterloo.ca</FONT></A>.</DIV><BR><DIV> <SPAN class="Apple-style-span" style="border-collapse: separate; border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-align: auto; -khtml-text-decorations-in-effect: none; text-indent: 0px; -apple-text-size-adjust: auto; text-transform: none; orphans: 2; white-space: normal; widows: 2; word-spacing: 0px; "></SPAN></DIV><BR></BODY></HTML>